My fall TV season began with the anticipation of the 5th season premiere of The Big Bang Theory and the 3rd season premiere of The Good Wife, the latter spurred on by a half-hour recap special aired a few weeks beforehand, along with a second-season episode right after which guest-starred Fred Dalton Thompson and which I found entertaining and exactly the kind of writing I like to hear on a TV show, with confidence and sophistication offered in great amounts. This led to buying the first season on DVD at Target for $20, a worthy investment of my time, and though I've not yet seen the third season premiere (I Tivo'd it), I'm sure I will later tonight.
The 5th season premiere of The Big Bang Theory was good, airing the first and second episodes, and it's exactly what I expect of the show, to be a reliable purveyor of comedy every Thursday night, with enough of Sheldon to keep me pleased.
There have also been new additions. Three Mondays ago, CBS reran the first season finale of Hawaii Five-O and I had learned a few things about the show, though not paying a great deal of attention to it beyond Jean Smart playing the governor. And I had learned that she was killed off in the season finale, with Steve McGarrett (Alex O'Loughlin) framed for her murder. I happened to have the rerun on that night and was intrigued with the action, the strongly-written characters, and great use of many locations. I watched the rest of the second-season premiere late last night on Tivo and loved when a henchman of Wo Fat (Mark Dacascos, who my sister saw and said, "That Iron Chef guy must travel a lot") said to Kono (Grace Park), "You wouldn't shoot me. You're a cop." Kono fired at the dirt between his legs and replied, "You see a badge?" I started watching the second episode right after, but will finish it later tonight as well.
And then, around 1:30 a.m., I watched Hart of Dixie (Tivo'd), which debuted on the CW. As it began, I reminded myself that this is Hollywood's view of the Deep South, not representative of what it really is, and was able to enjoy it right from the start. It stars Rachel Bilson as an aspiring cardiothoracic surgeon, who loses the fellowship she had been vying for, advised by the Chief of Surgery at her hospital that in order to be a great surgeon, she has to work on her own heart, and reflect more on herself, knowing people more than she does, which is nearly nil. She arrives in Blue Bell, Alabama, having been left half of a medical practice by an older gentleman who had been at her medical school graduation four years ago and offered her the opportunity to work at that practice, but she refused, knowing full well her path in life. Nevertheless, he kept sending her postcards with the same offer, and after being denied that fellowship, she left Manhattan for Blue Bell.
There were a few groan-worthy bumps in the script with the "sophisticated city girl" looking down on the "hicks," but it's appealing enough, and certain plot elements are intriguing enough to get me to watch again next week, such as Bilson sparring with the other half of the medical practice, played by Tim Matheson. My biggest disappointment is that Nancy Travis left this for Last Man Standing, starring Tim Allen. There was probably more pay for her in that, and co-lead status, but she fit so well here. I just hope CW gives it a good long chance.
I saw Pan Am and liked it enough to try it again next week, though I didn't connect to it as quickly as I did to Hart of Dixie, despite the historical airline storylines. I haven't seen the second episode of 2 Broke Girls, but will later. After all that, though, I think my fall TV season is over. I've got The Big Bang Theory, The Good Wife, and Hawaii Five-O on CBS (and possibly CSI as well, since I liked Ted Danson's debut last week, and I like being reminded of Vegas until I get there as a resident), and Hart of Dixie on CW. That's about all the shows I need. I also have Prime Suspect and Unforgettable on the Tivo, but I think if I had really been interested in them, I would have watched them by now.