Sunday, April 23, 2017

Back to a Musical Hobby

Last Monday, the first day back after spring break for the Clark County School District, I looked at my pile of vacation days and, since I'm leaving at the end of the year, I decided to take the remaining Fridays of the school year off. That's 7 of them.

Then, in the middle of last week, I thought, "Well, why not Mondays, too?" That way, I'd have a four-day weekend. Therefore, with Tuesday, Wednesday, and Thursday being the days I'd work, I'd have three days on, four days off. Friday, Saturday, Sunday and Monday would therefore be "Saturday-Saturday-Saturday-Sunday" and Tuesday, Wednesday, and Thursday would be "Monday-Thursday-Friday," likely the only time in my career that I'll be able to do this.

I thought about starting the Mondays off at the beginning of May, but then, you know what? It doesn't matter anyway. Teachers at my school are already counting down to the end of the school year, there's the hassle of the SBAC testing, and in submitting my letter of resignation about two months ago, I've already been replaced. My successor has been hired and is ready for next school year, so I'm old hat. And I can't be sure that these vacation days will transfer to my next job, being that there's a slim chance I'll be part of another public school district. That's way down on my list of jobs I want. I want to be a member of a staff this time, not just working with one person all day.

So taking off Mondays, too, begins tomorrow, the last week of the month. And tomorrow is also the end of my first four-day weekend. In this first weekend, I've finally been able to read a book again in one sitting, the first time in many months (The Calamity Cafe by Gayle Leeson, which was so-so). Then I did it again today with There I Go Again: How I Came to Be Mr. Feeny, John Adams, Dr. Craig, KITT, & Many Others by William Daniels. Oh, I want to do this again and again and again with the weeks remaining in which I'll have these four-day weekends, but I can't do it all the time. I have another book to review for BookBrowse, I have to update my resume and scan my letters of recommendation from librarians and my former newspaper editor (This week, I'm also going to contact the first reporter I interned for at The Signal, what with all the tapes I transcribed for him, and ask for a letter of recommendation from him as well), and update my profile on EDJOIN, which educational institutions across the country look at, especially ones in California. Since we're going to be living in Ventura, those are the libraries that I want seeing my information and resume and recommendation letters.

There are also a few movies I want to catch up on, though I've grown restless with those in favor of reading. I have to dig through the many DVDs I've bought sight unseen and pull out what I want to watch this very moment. And it has to be something that really interests me, else I'll be restless again.

But one thing I finally have time for again is a hobby I started when I saw The Cosmopolitan on the Strip going downhill before Deutsche Bank sold it to the Blackstone Group, which has a reputation for buying up properties, revamping them, and selling them off again. That's what's happened to my beloved Cosmopolitan. The digital art, sculptures, paintings, murals, and music were all important in creating a unique, inspiring experience that made you want to explore more of what they had all over, wanting to see that intricate spaceship sculpture by Kris Kuksi on the 3rd floor, after the secret pizza place, down the hall, next to the piano, before those conference rooms, and wanting to go to the Art-O-Mat vending machines to see what different artists there were from across the country with different pieces of block art being sold.

I found out on a visit a few months ago that the art has become an afterthought, most of the flatscreen TVs used for the digital art are gone (save for the ones at the blackjack, roulette, and craps tables, which are used to show football and basketball games), and my dear playlist had changed over to what you hear on FM radio all the time.

So, I'm creating a playlist which, to me, represents the Old Cosmopolitan on the Strip. I listen to KUNV, the University of Nevada Las Vegas's radio station, which Mom has on during the day. Sometimes I hear a piece during the smooth jazz hours that I want to use.

But mainly, I get my titles from the Music Choice Channels on Cox Cable, particularly the Sounds of the Season channel which, when there isn't a holiday like St. Patrick's Day or Mardi Gras or Christmas, they play "The Pulse," which is all dance music, chillwave, dubstep, and other types of electronic music.

So far, I have 10 titles, six from Music Choice, two from M83 (one from their "Oblivion" soundtrack), "Roses" by The Chainsmokers, and my latest favorite, "Walk with Me" by Wamdue Project. I wish I could describe this kind of music better, but all of it recalls for me the Cosmopolitan I happily walked through, imagining owning it all, and keeping it exactly like this. In creating this playlist, I'm also imagining on what floors these songs would have fit, such as what would have worked on the casino floor, what would have worked in the hallway leading to the Wicked Spoon buffet, just before Rose. Rabbit. Lie., what would have sounded right on the shopping/restaurant floor, and what would have worked for the convention hall spaces.

Strangely enough, the last two times I went to Green Valley Ranch, which, to me, is Henderson's only palace, I walked through their vastly remodeled lobby. In the wide, semi-carpeted hallway with the doors looking out on the pool area, leading to the lobby, I heard exactly the playlist I heard at The Cosmopolitan, which makes me think, and even hope, that whoever programmed The Cosmopolitan now works at Green Valley Ranch, that my musical heart and soul lives on.

Even after I move back to Southern California, I'm keeping this playlist with me to also remember the parts of Las Vegas I need for the novel or two, and a play, that I want to write that are set here. Despite the hell many times over that I've been through here, none of these works will rant about Las Vegas nor rail against it. That doesn't fit my characters. There may be a gripe or two in the play, but as for the novels, my characters just exist here, and at the end of one, simply leave, never to return, which is what I'll be doing, too.

And here it is so far, with its working title: The Old Cosmopolitan Las Vegas fantasy playlist.